"Are you the one who ordered the blowjob?" The sultry eyed Asian hostess ran her hands over my shoulders as I shimmied into a seat besides my comrades. I was late for dinner. The restaurant was thronged with humanity. I could see why they picked the place."I'm too jetlagged for a blowjob," I told her. "Better just bring me the menu instead."
If I had been 15 years old, I might have blushed. But I am cruising in on 30. The word 'blowjob' to me sounds like 'pretzel' or 'anchor.' It's as desirable as a chocolate chip cookie, and I usually don't blush when someone offers me chocolate chip cookies, even if that person is a transsexual. That's what she was. A man with mascara and implants. This was a transvestite-themed restaurant in San Francisco's Mission district.
"So glad you could make it," my British comrade holds out his hand and then fills my glass with white wine. "We were beginning to worry about you."
The Britisher loves this restaurant. He comes here every time he's in town. Why, the transsexual help even know him. This married father of three gladly lets them unbutton his shirt and massage his pectoral muscles. Later on, they escort him up to the bar to do a shot out of one of their bikinis as the crowd cheers him on. By that time, we're all liquored up.
"You know, if I were really drunk, more than I am now," slurs another Britisher, "I wouldn't be able to tell that she's, you know, not really a she." He points at the cute Filipino tranny with the chocolate-colored ponytail who just gave up the shot. Now she's feeding a banana from her mocha-hued 'bosom' to a genuinely female guest at a nearby table. This guest is special: not only is she just about to turn 30, but she's also about to get married. Two bananas!
She's accompanied by genuinely female friends. It's a bachelorette party. They are real women with real boobs and rotund backsides. They are real women with master's degrees in linguistics and area studies. They'll tell you about the plight of the Peruvian sweatshop workers, or their work to create clean energy jobs. They drink fair trade coffee. Yes, real American women. Not men with mascara and implants.
"Those are real women," I tell the Brits. "These trannies have no cushion. It's like what that British group Spinal Tap sang about in 'Big Bottoms.'"
"Those girls are ugly," my comrade declares. "And Spinal Tap were not real Englishmen," his lips shrivel. "They were Americans."
Some American ladies of my generation like to celebrate their impending marriages in the company of transsexuals. I've been to places like this in New York before. They are always chocked full of bachelorettes. They seem to be ridiculing gender stereotypes of the 1950s. The problem is that nobody in the audience was actually alive in the Eisenhower era. We must familiarize ourselves with the old stereotypes in order to mock them. This is the mindfuck of the liberal arts.
"Do they turn you on?" I remember one of the New Yorkers asking me about the men in mascara.
"No," I told her. I remember she was big all around, a real woman shaped like the Liberty Bell.
"Are you sure? You can tell me." She was puzzled. How could it be? I mean, the 'waitresses' did look like Barbie.
If instead I had confessed to her that I really did like transsexuals, maybe she would have let me crawl up in her lap and given me comfort. "I can't help it," I would sob, "they look so real." "That's ok, sweety," she would stroke my head like a wounded animal, "you're not alone."
But if I had confessed that I was secretly attracted to her, her Liberty Bell shape, all that estrogen swimming around, if I had pulled the curtain back and revealed all that ugly biology to her, she would have made quickly for the door, her face contorted, mouthing, "the horror, the horror," like Marlon Brando in Apocalypse Now.
This is the mystery of American sexuality. These are the issues with which we grapple, the incomplete feminist upheaval, the aborted sexual revolution, the poorly defined notion of desirability, fed by a Hollywood that tells you that if one puts some makeup on a man and give him implants, he's attractive. Like us stupid American guys can't smell the difference. And they wonder why we run away in droves to Europe to rejoice in post-feminist bliss, to bathe ourselves in the blue lagoon of nature, where a man is attracted to a woman because ... she's a woman.
"A Swedish woman expects her mate to do 50 percent of the work," my friend Ingmar once told me. "If you only do 49 percent one day, then you're on your own."
See, clearly defined rules. I may be American, but I can follow rules. I am frequently asked why, why do so many foreign guys wind up with Estonian women? Is it because they look like Barbie? No, it's because they abide by stated rules. These American Odysseuses were lost on the jagged postmodernist seas of transvestite pirates and college-educated harpies. Then one day they washed up in the soothingly geometric cities of Northern Europe. Like a well-played game of the videogame Tetris, the shapes fit. At last, everything fell into place.
"How was the shot?" I ask my British friend as he returns to the table from his conquest.
"Frothy," he grins. I think I know why he's so happy. They just don't do it like this out in the Midlands. He's like Walter Raleigh or Francis Drake: an intrepid explorer. He speaks the local languages, can tell a breadfruit from a pineapple. He's worldly. This Britisher speaks San Franciscan.
***
According to Jüri Estam, Estonia is "bleeding brides to the West." Inga is one of them. She calls the San Francisco Bay home, but she grew up in Ida Virumaa. She says she's from Jõhvi, but, according to Inga, most people in that area claim to be from Jõhvi, even if they only go to school there or pass through on their way to work. Nobody wants to be from Kohtla-Järve. Jõhvi it is.
Inga's pinginaaber at one point was Kristiina Ojuland. For Estonians, the pinginaaber – your bench mate in school – is an institution of intimacy. The pinginaaber knows everything about you, your fashion catastrophes and high school crushes. If you fall anywhere on Earth at any time, your pinginaaber will be there to catch you. And so it is between Inga and Estonia's new representative in Brussels.
"Ojuland?" I say. "Didn't I see her on Dancing with the Stars?"
"Kristiina doesn't take shit from anybody," says Inga of her friend's relationship with fame. We're crawling across San Francisco. It's the night after my encounter with the transsexuals. "I don't care what anybody says about her. She's successful and she deserves it."
Sometimes it seems in Estonia that Ojuland is everywhere. I once shared a plane with her. Another time I bumped into her at Abakhan Fabrics. Then there was that encounter at the foreign ministry. You can't go berry picking in north Estonia, without coming home with a bucket full of Kristiina.
"I remember some of the local journalists liked to run her photo," I say. "They had a thing for her."
Inga looks away in disgust. "The reason you saw her at Abakhan is because she makes her own clothes," she pivots. "She's always been her own boss. The teachers in school gave up on her. They punished others for trying to act the same way she did. There was no use in trying to tame Kristiina."
Ida Viru ladies like Inga and Kristiina walk the tightrope between east and west. They grew up in a soup of population transfer and multilingualism. Many of them come from mixed families. Who is an Estonian? Who is a 'Russian'? And where, perchance, are the elusive 'Soviet people'?
I personally don't care who you are. If you claim to be Estonian, then I'll vouch for your self-diagnosis. I'm fine, so long as you don't soak me with 'great Soviet Union' nostalgia, with sepia-toned yearning for the years of the Politburo gerontocracy and the wild parties and ice cream orgies at Jurmala. Like an old hombre down on his luck, the Soviet dreamers still slip a wrinkled dollar into a Saloon jukebox and request Bryan Adams' "Summer of '69." You told me it would last forever, they tell Brezhnev's ghost as their tears drip into their beer foam, those were the best days of my life.
Brezhev's ghost was not to be found at the North Beach Saloon later that night, just old sinewy gray ladies who looked as if they had been high every day since that first Country Joe and the Fish concert back in '66. They've been living the 'style so long, they've become Hippie incarnate. Their brains are made of hemp. Patchouli oil flows in their veins. Their eyes tear LSD. The San Francisco grannies have come to see a co-ed blues band, one with a female guitarist and bassist, or at least, musicians that appear to be female — you can never be sure in this city.
The horn player starts bearing his soul, the girlie rhythm section kicks in, and I am overcome by Delta blues melancholia. I am saturated with guilt. Poor Inga, poor Kristiina, I rub my face. Poor Ida Viru girls growing up at Fast Times at Lenin High, contending with male pig dogs everywhere, male pig dogs that only know them for their dance moves or put them on the cover of their newspaper because they look nice.
But it doesn't matter, because they are Estonian soul sisters, pinginaabrid. They stand back to back, pistols out, like Butch Cassidy and the Sundance Kid. One of them lines the haters up, and the other one mows them down. Never mess with an Estonian woman, these northern birds caution, or you'll wind up with her pinginaaber's mushrooming knife in your back.
***
The night before, we left the cross-dressers at the Asian restaurant and ensconced at a trendy bar down the street, one with soft red lighting and gurgling electronic music. We were served by a real woman this time. There were no offers of blowjobs or pectoral massages; no bananas or frothy shots. I ordered club soda though, lest I pass out in the Brits' laps.
"Did you see the photos of Putin in Siberia?" asks one. He's not really English but Scottish. And not really Scottish but Glaswegian. He's from Glasgow.
"You mean Genghis Putin?" I remark. "Vladimir Khan?"
"He just can't keep his shirt on," he says. "Is that some kind of Russian thing?"
"The Russian ladies adore him. He's in good shape and he's not a drunk. He's their ideal man."
"Are there a lot of drunks in Russia or something?" he asks.
Are there drunks in Russia? Are there stars in the sky? I want to tell him. Though I have never been to Russia, I have heard the screams of the hungover from across the border. Hell, the Estonian drunks even built a pipe across the Narva River to funnel moonshine from our neighboring Putinate.
"Are there a lot of drunks in Scotland?" I counter.
He shakes his head. "No drunks," he says. "None at all. We all get on just fine."
"Functional alcoholics then."
"Aye, functional alcoholics," he nods. "That better describes us. I have done some business with Estonians. They seem a bit like Russians, but they make it very clear that they are not. Just a wee bit different."
"It's like the Irish and the Brits," I tell him. "Would you dare call U2 a British rock band?"
"No," he shudders. "Never."
"Besides, they are different," I pull out my identity card, my isikutunnistus. "Here, try and read this."
He holds it up to the candle light. "What's that say?"
"Ameerika Ühendriigid," I tell him. "The Unites States of America."
"I've never seen a language like this."
I'm pleased. Never again will this one soul mistake Estonians for Russians again; only several billion more souls to go. "It's like Finnish. Know any Finnish?"
He shakes his head in the swirl of red lights and electronic music. Frothy shots from transvestites? Genghis Putin? Ameerika Ühendriigid? It's more than he bargained for on a Thursday night. I feel like a guy with an odd hobby, an insidious stamp collector, a bird-watching savant, or reclusive spelunker. Then I realize I am in the company of British molecular biologists.
I stagger back to my French hotel and take the lift up to the sixth floor. Each floor is decorated with the artwork of one artist. Chagall's on four. Toulouse-Latrec is on two. Mine's Modigliani. Sprawled across every wall are nude French women from 1918. 1918! The year one. Nude after nude after nude after nude. Breasts and blank stares. Women thrown across beds or seated stoically in chairs. That's all Modigliani could paint. Give a Parisian a paint brush, and he'll give you a naked woman.
"This Modigliani's on to something," I think as I tuck myself into bed. "Maybe I should get myself one of his coffee table books."
Inga's pinginaaber at one point was Kristiina Ojuland. For Estonians, the pinginaaber – your bench mate in school – is an institution of intimacy. The pinginaaber knows everything about you, your fashion catastrophes and high school crushes. If you fall anywhere on Earth at any time, your pinginaaber will be there to catch you. And so it is between Inga and Estonia's new representative in Brussels.
"Ojuland?" I say. "Didn't I see her on Dancing with the Stars?"
"Kristiina doesn't take shit from anybody," says Inga of her friend's relationship with fame. We're crawling across San Francisco. It's the night after my encounter with the transsexuals. "I don't care what anybody says about her. She's successful and she deserves it."
Sometimes it seems in Estonia that Ojuland is everywhere. I once shared a plane with her. Another time I bumped into her at Abakhan Fabrics. Then there was that encounter at the foreign ministry. You can't go berry picking in north Estonia, without coming home with a bucket full of Kristiina.
"I remember some of the local journalists liked to run her photo," I say. "They had a thing for her."
Inga looks away in disgust. "The reason you saw her at Abakhan is because she makes her own clothes," she pivots. "She's always been her own boss. The teachers in school gave up on her. They punished others for trying to act the same way she did. There was no use in trying to tame Kristiina."
Ida Viru ladies like Inga and Kristiina walk the tightrope between east and west. They grew up in a soup of population transfer and multilingualism. Many of them come from mixed families. Who is an Estonian? Who is a 'Russian'? And where, perchance, are the elusive 'Soviet people'?
I personally don't care who you are. If you claim to be Estonian, then I'll vouch for your self-diagnosis. I'm fine, so long as you don't soak me with 'great Soviet Union' nostalgia, with sepia-toned yearning for the years of the Politburo gerontocracy and the wild parties and ice cream orgies at Jurmala. Like an old hombre down on his luck, the Soviet dreamers still slip a wrinkled dollar into a Saloon jukebox and request Bryan Adams' "Summer of '69." You told me it would last forever, they tell Brezhnev's ghost as their tears drip into their beer foam, those were the best days of my life.
Brezhev's ghost was not to be found at the North Beach Saloon later that night, just old sinewy gray ladies who looked as if they had been high every day since that first Country Joe and the Fish concert back in '66. They've been living the 'style so long, they've become Hippie incarnate. Their brains are made of hemp. Patchouli oil flows in their veins. Their eyes tear LSD. The San Francisco grannies have come to see a co-ed blues band, one with a female guitarist and bassist, or at least, musicians that appear to be female — you can never be sure in this city.
The horn player starts bearing his soul, the girlie rhythm section kicks in, and I am overcome by Delta blues melancholia. I am saturated with guilt. Poor Inga, poor Kristiina, I rub my face. Poor Ida Viru girls growing up at Fast Times at Lenin High, contending with male pig dogs everywhere, male pig dogs that only know them for their dance moves or put them on the cover of their newspaper because they look nice.
But it doesn't matter, because they are Estonian soul sisters, pinginaabrid. They stand back to back, pistols out, like Butch Cassidy and the Sundance Kid. One of them lines the haters up, and the other one mows them down. Never mess with an Estonian woman, these northern birds caution, or you'll wind up with her pinginaaber's mushrooming knife in your back.
***
The night before, we left the cross-dressers at the Asian restaurant and ensconced at a trendy bar down the street, one with soft red lighting and gurgling electronic music. We were served by a real woman this time. There were no offers of blowjobs or pectoral massages; no bananas or frothy shots. I ordered club soda though, lest I pass out in the Brits' laps.
"Did you see the photos of Putin in Siberia?" asks one. He's not really English but Scottish. And not really Scottish but Glaswegian. He's from Glasgow.
"You mean Genghis Putin?" I remark. "Vladimir Khan?"
"He just can't keep his shirt on," he says. "Is that some kind of Russian thing?"
"The Russian ladies adore him. He's in good shape and he's not a drunk. He's their ideal man."
"Are there a lot of drunks in Russia or something?" he asks.
Are there drunks in Russia? Are there stars in the sky? I want to tell him. Though I have never been to Russia, I have heard the screams of the hungover from across the border. Hell, the Estonian drunks even built a pipe across the Narva River to funnel moonshine from our neighboring Putinate.
"Are there a lot of drunks in Scotland?" I counter.
He shakes his head. "No drunks," he says. "None at all. We all get on just fine."
"Functional alcoholics then."
"Aye, functional alcoholics," he nods. "That better describes us. I have done some business with Estonians. They seem a bit like Russians, but they make it very clear that they are not. Just a wee bit different."
"It's like the Irish and the Brits," I tell him. "Would you dare call U2 a British rock band?"
"No," he shudders. "Never."
"Besides, they are different," I pull out my identity card, my isikutunnistus. "Here, try and read this."
He holds it up to the candle light. "What's that say?"
"Ameerika Ühendriigid," I tell him. "The Unites States of America."
"I've never seen a language like this."
I'm pleased. Never again will this one soul mistake Estonians for Russians again; only several billion more souls to go. "It's like Finnish. Know any Finnish?"
He shakes his head in the swirl of red lights and electronic music. Frothy shots from transvestites? Genghis Putin? Ameerika Ühendriigid? It's more than he bargained for on a Thursday night. I feel like a guy with an odd hobby, an insidious stamp collector, a bird-watching savant, or reclusive spelunker. Then I realize I am in the company of British molecular biologists.
I stagger back to my French hotel and take the lift up to the sixth floor. Each floor is decorated with the artwork of one artist. Chagall's on four. Toulouse-Latrec is on two. Mine's Modigliani. Sprawled across every wall are nude French women from 1918. 1918! The year one. Nude after nude after nude after nude. Breasts and blank stares. Women thrown across beds or seated stoically in chairs. That's all Modigliani could paint. Give a Parisian a paint brush, and he'll give you a naked woman.
"This Modigliani's on to something," I think as I tuck myself into bed. "Maybe I should get myself one of his coffee table books."





















